Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one with the most talked about books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as being a trilogy. Did it actually end the way in which you planned it from your beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc from the story from gladiator game, to revolution, to war, on the eventual outcome remained constant throughout the writing process.

Q: We understand you worked around the initial screenplay for a film to get based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you are adapting a novel in a two-hour movie you can not take everything with you. The story has being condensed to match the modern form. Then there is the question of methods best to look at a magazine told within the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss for a second and so are privy to all of her thoughts so you need a way to dramatize her inner world and to create it possible for other characters to exist outside her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lots of situations are acceptable on a page that couldn't survive on the screen. So how certain moments are depicted will ultimately be inside director's hands.

Q: Have you been capable of consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully which it is simply too difficult to think about new ideas?

A: I've several seeds of ideas floating around within my head but--given that much of my focus continues to be on The Hunger Games--it will probably be awhile before one fully emerges and that i can start to develop it.

Q: The Hunger Games is a yearly televised event in which one boy and one girl from each in the twelve districts is made to participate in a very fight-to-the-death on live TV. What can you believe the appeal of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the possibility for desensitizing the audience, so that whenever they see real tragedy playing out on, say, the news, it won't hold the impact it should.

Q: If you were expected to compete in the Hunger Games, so what can you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope would be to have hold of a rapier if there was clearly one available. But the truth is I'd probably get about a four in Training.

Q: What do you hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements from the books could possibly be relevant inside their own lives. And, if they are disturbing, what you might do about them.

Q: What were some of one's favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time around it's for world control. While it is often a clever twist on the original plot, this means that there exists less focus about the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life in a less vibrant Katniss by displaying despair both at those she feels accountable for killing and possibly at her very own motives and choices. This is surely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each of the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.